Yayoi Kusama was born on March 22, 1929, and is a Japanese contemporary artist who works primarily in sculpture and installation. She also does performance, painting, fashion, fiction, poetry, video art, and other arts.
According to Wikipedia, Yayoi's work "is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan."
She was raised in Matsumoto and then trained at the Kyoto City University of Arts in a traditional Japanese painting style called nihonga. However, she was inspired by American Abstract impressionism.
In 1958, Wikipedia states, "Yayoi moved to New York City and was a part of the New York avant-garde scene throughout the 1960s, especially in the pop-art movement. Embracing the rise of the hippie counterculture of the late 1960s, she came to public attention when she organized a series of happenings in which naked participants were painted with brightly colored polka dots. Since the 1970s, Yayoi has created art, most notably installations in museums around the world.
She has been open about her mental health, and says that art allows her a way to express her mental problems. She reported in the interview she did with Infinity Net "I fight pain, anxiety, and fear every day, and the only method I have found that relieved my illness is to keep creating art. I followed the thread of art and somehow discovered a path that would allow me to live."
Below are several pieces or installations that Yayoi has done and what Olivia remembered about them after studying them for a while.
- In the room, there is a dining room/kitchen presented. Everything is covered in polka dots. There are polka dots on top of polka dots.
- There are definitely areas in the room where the polka dots are closer to one another and on top of one another.
- There is a dining room table with six chairs. There are plates, cups, a wine glass, and a pitcher of some sort...like a tea kettle. They were all covered in polka dots.
- On the wall to the right, there is a cabinet - it's open on top, but there are doors on the bottom. Following along that, it looks like there is a counter or a kitchen sink. I couldn't tell if there was a picture or a window above the sink.
- There also appears to be a plant in the back of the picture.
- The walls are definitely more heavily polka-dotted than the floor.
- The polka dots were in colors of red, orange, yellow, pink, blue, and green.
- In the picture, there are a ton of yellow pumpkins with black dots all over them.
- The dots are all neatly in order. Starting in the center section of a pumpkin, they get smaller.
- They also seem to move the natural lines of the pumpkins.
- Even the stems are painted black with gold dots matching the sides of the pumpkins in reverse.
- It looks like there are mirrors on the sides of the walls and ceiling to make the room bigger than what it is actually.
- The floor looks like it is somewhat reflective as well...just like it has been polished.
- The pumpkins seem to glow from the inside - like they are lamps.
- The colors look yellow and black - like a bee.
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Pumpkin (M), 2013, Victoria Miro, London
Olivia remembered:
- In the picture, there is one big lone pumpkin. It appears to be made out of metal and I can't tell if it black first and then painted gold in some areas.
- The polka dots seem to be cut out of the yellow/bronze/gold metal that is laying on top of the pumpkin.
- The stem is in the reverse of the body where it's gold dots with a black surface.
- The ridges on the pumpkin really stand out.
- In the center, the dots are bigger and as they move out they get smaller.
- There are willow trees in the background. It is definitely outside.
- It kind of looks like a big piece of Swiss cheese. It kind of reminds me of Swiss cheese.
1 comment:
Interesting! I have never heard of her. Definitely has the wow factor. :)
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